The NEMESIS of Djembe players

A few days ago I finally got my copy of Cameron Tummel’s new “Fundamental Djembe SOLOS 4/4” CD in the mail.  I’ve now had the chance to try it out. Like his other best-selling instructional djembe cd, this one has the same distinct sound  quality and presentation.  He tells you what he’s giving you and how to use it on track one, and then proceeds with a call-and-response format which is easy to understand and reproduce, even if you are a beginning djembe player.

There are 10 tracks. You can clearly hear the lead djembe doing the riffs, then allowing a time space for the listener to repeat it. There is a bell, djembe and dunun playing trio of musicians laying down a holding pattern of west african music  in the background which makes practicing not only like playing with a group, but a pleasant experience.  The pace of the tracks is medium to slow, which means a student can be relaxed and not get overwhelmed by the  testorone-fueled competition to go as fast and as loud as possible that happens sometimes at  live west african classes. It’s so much better using a cd like this instead of floundering along alone  trying to do repetitious djembe fundamentals by oneself! They are boring and it’s frustrating when you don’t have enough experience to know what you are doing.

I love listening to this cd, so much so that I got  out my djembe and gave playing along  with it a try. I haven’t played my djembe for some time.  And in so doing, re-encountered the NEMESIS of all aspiring djembe players:  NO difference between my TONE and SLAP. I no longer have a djembe SLAP, it’s gone bye bye and sounds suspiciously like a louder tone. Then there is the fact my drum has not been tuned or tightened for some time.  This just isn’t going to do.

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About Shirley

I started this blog to expand and explore my rhythm horizons as a hand drummer. That exploration includes touching on the rest of my life and inner world as authentically and truthfully as possible.
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